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The pressures of Hollywood are public knowledge. The industry is one renowned for chewing up and spitting out talent, before moving onto the “next big thing” faster than a trend turns viral on TikTok. While some actors will always have an indelible legacy that sees them the pick of the crop, many actresses find it hard to sustain movie roles simply due to the ageing process. Many have spoken out about a lack of complex roles that depict older women on screen and so naturally, their choices are limited: play those few roles that come your way, or buckle to unrealistic expectations of beauty and ageing. 

In a recent interview with Kelly Clarkson, Rosamund Pike shared a strong message about body positivity and the current social climate we find ourselves in where we’re constantly bombarded with filtered images that most of us can’t even tolerate our non-filtered faces. Pike, who is currently promoting her new Netflix film, I Care a Lot, spoke with the TV host and singer about how her body has been photoshopped and altered on multiple movie posters in the past. 

As Entertainment Tonight reports, the actress told Clarkson: “For the poster for Johnny English, does prednisone cause sweating my breasts were augmented. In the poster for the character shot, I’ve got a really impressive chest. Which I don’t have.”

Pike also went on to say that even her eye colour has been changed, with the film Radioactive choosing to make her eyes brown. She told Clarkson, “For Radioactive, strangely, they made my eyes brown. I still don’t know why.”

Pike added, “Those are the obvious times, right? When you do notice, Oh, I’ve got brown eyes or I’ve got massive breasts. But there’s probably countless times where our image is doctored and we don’t notice it. Because I think we’re all losing our grip on what we really look like.”

It’s a powerful message, one that champions authenticity above perfection. And though we might not have any control over Hollywood’s attempt to alter, refine and perfect as they see fit, at least in our own lives we can perhaps realise we don’t need a filter, that rather than chasing something unattainable, we can embrace that which we have. 

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